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Jingle All The Way

On Saturday my lovely wife and I attended the Buckley Christmas Market and had a really great day talking to everyone who stopped by the stand to look, ask questions, chat and buy things. It’s been the most successful Christmas event I’ve had a stand at, and the atmosphere in the shopping precinct was buzzing and busy. The coasters were particularly popular!

Buckley Town Band played in the morning and Shelby’s Place Singers gave their inaugural performance of six Christmas songs in the afternoon! We were even accompanied by some very rhythmic jingle bells which added greatly to the festive feel. I’ve already started thinking about what we’ll learn to sing in the New Year ready for the next market at Easter time!

It was a full day; we arrived to set up at 7.30am and the market finished at 4pm – we were very glad to get everything back into the car and then into the house before the storm winds really took off!


Today I finished Part 3 of Barragán Shawl KAL which, as you no doubt know by now, is being published in four parts by The Knitter. I surprised myself by using slightly more yarn than I’d expected to (though I did still have enough), and I’ve been trying to work out why. My conclusion is that the first time I knitted it, while I was designing it, I was knitting faster. I was working to a deadline and I had to knit several sections of the shawl twice, ripping it out when I wasn’t fully satisfied with links between parts.

This time I’ve been ‘knitting along’. I worked out how many rows I need to knit each day to complete one part of the shawl before the next part was published and, for the most part, I’ve only been knitting that much. This difference in both speed and focus makes me wonder if my tension while I’ve been knitting this second shawl has been looser as I’ve been more relaxed about it? Relaxed, that is, apart from today when I began to wonder if there would be a game of yarn chicken in my future (there wasn’t!) and so knitted the final two full repeats of the stitch pattern in one go.

It’s made me think about tension/gauge again and how frustrating it is when knitters say they never knit a tension swatch as they always ‘knit to tension’. How can they? The tension listed on any given pattern is that of the designer while they were working on the pattern – not that of anyone else, and it’s entirely possible that a change of needle size might be required to achieve the stated tension. But that can only be discovered by working, washing and blocking a swatch.

The stitches and rows listed on a yarn ball band are considered the ‘standard’ tension for that yarn when working stocking stitch using specified needles, but that doesn’t mean that is your tension, nor that it is the designers’ tension. And what if the designer is using different needles from the ‘standard’ ones for that yarn weight, such as with lace knitting, where the needle size tends to be larger than you’d use for stocking stitch? In those cases the ‘standard’ tension is almost irrelevant – or at least guaranteed to be different from that of the pattern. And, as it seems, speed of knitting and levels of relaxation can also make a difference to a knitter’s tension, as even a slight change in tension that doesn’t show up much in stitch or row counts can fractionally affect how much yarn each stitch is using.

It’s a fascinating topic and it’s really interesting to me how knitters vary so much in their tension. I’ll probably write more about this in the future and I’m even tempted to get some data by measuring the (unblocked) tension of knitters in workshops who will all be using the same yarn and needle sizes, but who undoubtedly will have different tensions in what they are producing.

All that remains now is Part 4 (out on December 28th) which is the edging worked in the buff colour and the all-important blocking.


The other project I’ve made some progress with this week is the adult version of Honeybun. The colour work sections of the sleeves are now complete and I’m soon to move into the stocking stitch section where the increases happen.

I shall work on this while I watch Vigil later this evening! If you’ve not seen any of this and have access to iPlayer I highly recommend it. There have been 2 episodes so far and it is really rather gripping.


Have you had a look at my ‘Where I’ll Be’ page on the website lately? There are some more things to add (once the exhibitors for events are publicly announced), but it’s looking like an exciting 2024 for me.

Highlights so far:

  • 10th January – Introduction to Lace Knitting workshop at Shaz’s Shabby Chic in Buckley, 6.30-8.30pm
  • 19-26th January – Wool-in Garden City. A week-long yarn festival in the Howard Centre at Welwyn Garden City. During this event I will be taking part in a ‘Meet the Designer’ panel discussion with other designers (on Sat 20th) and teaching an Introduction to Brioche Knitting workshop (on Sun 21st).
  • 9-10th March – East Anglia Yarn Festival at the Norfolk Showground Arena, Norwich
  • 18-19th May – Buxton Wool Gathering at the Pavilion Gardens in Buxton
  • And we are hoping to run Yarn Gathering in Mold again in September!

Add to this three additional yarn shows I’ve been accepted for and you can see that the year is going to be busy! Thank goodness for Floella (my new-to-me estate car) who will be essential in transporting everything to each event.

Next week will be my final blog post of 2023 as I will be taking a week off between Christmas and New Year. Thank you for reading my posts – and especially those of you who take the time to comment; it’s always very much appreciated.

Until next week, take care and stay warm. K x

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