If you are a newsletter subscriber you may wish to check your inbox – there is a cheeky discount waiting exclusively for you to celebrate the relaunch of Ice Diamond Mitts. I’ve changed the yarn used to the gorgeous Welsh Cambrian Wool and knitted new samples in each size. The pattern has been re-written to make it clear and easier to follow and the lengths for each size have been slightly shortened, making the mitts easier to wear and also ensuring that even the largest size uses only 90m/45g yarn for a pair! You can seem from the photos that the smallest size still needs its ends weaving in and also that it looks really cool if you knit the ribbing in a contrasting colour! I did this partly to see how it would look and also because I didn’t have enough yarn of one colour that wasn’t red for a small mitt.
The photos on the wooden table are of the large size, the ones on the black background are medium and small.
Following hard on the heels of Ice Diamond Mitts will be my own self-published version of Making Tracks, which was first published last November in The Knitter. I just need to insert the charts into my own format of the pattern and add some of my new photos. The rights for this jumper return to me towards the end of this month and so I will have printed copies with me at The Wool Monty in June!
Making Tracks is a cabled men’s jumper with saddle shoulders and a round neck, knitted in pieces and seamed. The jumper is designed in 8 sizes (S-5X), with 10-12.5cm positive ease. Positive ease might sound ‘fancy’ but that just means how much bigger a garment is than your actual body measurements. If you had no ease on something it would be your exact body measurements. (If you have negative ease then the piece is smaller than you are, but hopefully stretchy enough so that it can be put on and then cling to the contours of your body). Positive ease on a garment means you can move in a garment and probably wear layers under it and approx 10cm (4″) is the amount of positive ease for a ‘standard’ fit to a jumper/top.
You may remember my mentioning that this jumper was modelled on a female model when published in The Knitter. It’s the same jumper and it was designed as a man’s jumper, but they didn’t have a male model available for the photoshoot. What those photos do show is that Making Tracks also looks good when worn by a woman. It gives more of a ‘boyfriend fit’ feel, and the sleeves are a bit longer than you might expect on a woman’s jumper, but it still works well!
If you want to knit this sweater for a woman you may wish to check the underarm length of the intended wearer. You can reduce the length of the sleeve easily as there is plenty of straight sleeve knitting between the increases and the point where the sleeve joins the body.
We had a day out yesterday, meeting up with some friends in Coventry. It was a super day. We visited the cathedral (both the bombed ruins of the old cathedral and the new cathedral next to it), walked, feasted and chatted lots. I recall going to Coventry Cathedral once on a school trip when I was quite young – and definitely too young too appreciate the beauty of the modern design when I had grown up going to churches that were hundreds of years old.
It finally occurred to me yesterday why concrete was a good idea for parts of the design of the new cathedral in Coventry. As well as being entirely fitting for the brutalist design, it was probably the only way to get the cathedral built quickly. Entirely stone built cathedrals can take more than a century to build. For example, Sagrada Familia in Barcelona is finally structurally complete with the final piece of the central tower being put into position in February this year (building work began in 1882 and Gaudi took over as chief architect in 1883!), but construction will continue for another decade. The design for Coventry Cathedral was chosen in 1952 by competition, the foundation stone was laid by Queen Elizabeth II in 1956 and the finished building was consecrated in 1962. So there were just 10 years from “this one please” to it being opened. That’s incredible. The building is also full of modern art on the floor, walls, windows and in sculpture. Even the way the organ pipes are positioned looks like a work of art. The 23m x 8m tapestry behind the altar is mind-blowing, not just in how it looks, but in how it was made – in one piece! That must have been one enormous loom!
The ruins of the old cathedral, bombed in 1940, are also a very powerful place. “Father Forgive” was ordered to be carved behind the altar by the bishop of the time. It’s amazing that so much of the outer walls, as well as the tower and the spire survived. The cross has been made with some of the burnt remains of the original building.
It was a visit to Lichfield (including visiting the cathedral) with these same friends that inspired my Lichfield cardigan. So, who knows, perhaps yesterday’s trip to Coventry will result in a new design?
That’s all for today. Have a good week, and I hope you get to do something you enjoy. Perhaps it will be casting on some Ice Diamond Mitts? K x